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Layout: anita pravitasari. 23 June, 2008
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Don't know how I fell under his spell.
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The name is Anita Pravitasari. People call me "anita". Likes to prefer her self as "nyt". 20 years old (There. I've changed it). Live in Jakarta-Bandung, Indonesia. In a relationship. Currently taking major in Chemical Engineering ITB. Love to write even more to read. Movie geek. Music lover. Often tired and loves sleep. Cries very easily. Is very friendly. Her ultimate fangirl crush would be with Johnny Deep *dies*. Is a spoiler whore. She hardly use a censoring system when she babbles so read at your own risks.

wishlist
The Shack - William P. Young
The Tales of Beedle the Bard - J.K. Rowling
Be With You - Takuji Ichikawa
Water for Elephants - Sara Gruen
Elsewhere - Gabrielle Zevin
A Walking Tour of the Shambles - Neil Gaiman
American Gods - Neil Gaiman
New Moon - Stephanie Meyer
Eclipse - Stephanie Meyer
Breaking Dawn - Stephanie Meyer
The Host - Stephanie Meyer
DSLR camera
new cellphone (any suggestion?)
a LONG vacation (europe baby!)
watching Kungfu Panda
Crayon’s Craft & co, Jl. Aceh no. 15

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Sweeny Todd: The Demon Barber from Fleet Street
Elizabeth: The Golden Age
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The Devil of Nanking
Mo Hayder
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Jonathan Stroud
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He smiles and I give in. This could be an enchantment.
Book Review: Anansi Boys by Neil Gaiman
Friday, 10 October 2008 10:08 pm
"Stories are webs, interconnected, strand to strand, and you follow each story to the centre, because the centre is the end. Each person is a strand of story."Anansi Boys


Fat Charlie, who's actually only fat briefly during childhood, lives a normal life for twenty-something years without knowing the true identity of his estranged father. Only after his father's death does he learn that the old man was a god and there's another son in the family named Spider. His party-going play-boy brother shows up at Fat Charlie’s door and turns his brother’s boring life upside-down. Spider is all the things Fat Charlie is not. He’s bold, suave, sophisticated, and he has all his father’s magic. Desperate to get his life back in order he travels to otherworldly places and encounters strange mythical creatures. Along the way, he learns a lot more than he ever wants to know about himself and his family.

Anansi Boys combines a modern-day story with myths, legends an visions that should be unbelievable, yet Neil Gaiman creates a world which the extraordinary becomes completely acceptable. Neil Gaiman does what he does best: tells a fantasy story well enough to almost make you believe it's happened. He takes any need for explanation and leaves in the wonder. When a character takes our hero, Fat Charlie, to another dimension, the only explanation is, just take my hand. We didn't wonder how Peter Pan flew and I didn't worry about the magic and wonder here either. I love the little details, the quirky things that he adds to stories that don't make a difference to the plot but make you giggle a little.

This is the third Gaiman book I read after Stardust and Neverwhere. In those two books nothing is ever really all right. His characters straddle the place between light and darkness, often by choice, to protect the rest of us. That, perhaps, is what makes the humor of Anansi Boys so startling: it seems inappropriate, somehow. Despite all humor, there were places in it where the story is close to horror and in comedy nothing dark should happen to any of the characters. But somehow it work out for the best.

In horror fiction people get what they deserve, whereas in comedies people get what they need. And I felt , gladly, that at the end of Anansi Boys, everybody got what they need.


P.S.: Sebenarnya 1 jam yang lalu saya baru saja selesai menonton film Laskar Pelangi. Baru kemarin pula saya menyelesaikan novel Anansi Boys yang saya pinjam dari sepupu. Tapi review ini sudah saya susun sejak pagi ini. Antri dong. Semua ada gilirannya (Kayak ada yang nungguin aja..hehe..).

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Private Practice (Season 1): "In Which Sam Gets Taken For a Ride"
Tuesday, 12 August 2008 10:41 pm
I didn't watch this show regularly, because, like pretty much everyone else who watched the pilot of this show in Grey’s Anatomy, I thought it sucked. They took the best character on Grey’s Anatomy and turned her into Meredith, one of the worst characters on TV.

Then I tried to watch the 1st episode of season 1. It sucked too. Although they haven’t changed Addison as drastically as they did in the previous pilot, she definitely isn’t the calm, cool professional she was on Grey’s. That Addison, the “world class neonatal surgeon” would never have taken a job at a clinic like this with its group of disfunctional adults (and I use that word loosely) or be dancing naked in her window.

But then, since I'm in my holiday, I have nothing better to do other than laying on the couch, holding remote control in my hand doing exercise called 'switching the channel'. So one day I watched another episode. Another one in the next two days. And one this evening.

I think it's getting better though not brilliant. Now on to today's episode.
Here a little summary.

So Violet and Cooper are planning to prove they can be “friends with benefits”, and Addy and Pete plan to consummate their newfound relationship.

Their patients aren’t having as much luck:

- a widow is giving birth alone, while her dead husband’s co-workers, what looks like the entire police force, wait in the lobby
- a harried mother of 3 boys, expecting a baby girl this time out, refuses to accept it when she gives birth to yet another son
- and Sam goes on a housecall which turns out to be a convenience store where an armed robber is about to give birth

Of course, all the patients’ issues are handled and the doctors are the ones who are unable to bring their plans to fruition. Unexpectedly, when Sam returns to the office, he finds himself alone with his ex-wife, Naomi. When he tells her what happened, their emotions get away from them and the scene fades as he throws her on the table and they tear each other’s clothes off.

There is only one thing I want to highlighted in the scene with Susan, the widow.
She opens up to Pete and tells him how lonely she's become without her husband. Pete in return opens up to her about his late wife and tells Susan that things get better and that she just has to hold onto the good memories.

But then she ask, this interesting line,

"Does it really get better or you just bury it deeper?"

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Review: The Dark Night
Monday, 11 August 2008 2:28 pm


THERE ARE NO SPOILERS. I will not spoil anything because this is a movie that everyone must see by themselves. But Christopher Nolan's revisited take on Batman has been rattling around my head since the night I watched it, and I need to jot down a few thoughts. If you haven’t seen this movie (meaning, if you live on another planet), then there’s the more reason why you NEED to read further.

It is everything that a movie fan like me ever hope for in a movie. It has a great plot, superb performances, and outstanding action sequences. Before this, the best Batman movie for me is Batman Returns because it is dark and sinister and it has a "twisted" and ironic love story between Batman/Bruce and Catwoman/Selina. Not to overstate it, but The Dark Knight is arguably not only the best comic book movie to date, but one of the best movie movies to date. I enjoyed it, and my boyfriend enjoyed it (not that his opinion really matter in the 1st place. Kidding :P).

What makes it good?

Well, first, there is the story making the nearly 3 hours just fly by in an exhausting rush. There are at least two points where the film seems to be escalating to its climax, only to build on that moment and raise the intensity up, yet again. The sub-plots don’t disturb the movie’s spine. Unlike Spider-Man 3, all of the baddies showing up in this film don’t get lost amidst each other and at the same time reintroduces the world to The Joker.

Chris and Jonathan Nolan really peer into the soul of humanity and find interesting — sometimes even biblical — allusions to paint their story. Joker’s repeated schemes that force others to kill or be killed; Batman’s fear that he has inadvertently “raised the bar” of criminality in Gotham; the many allusions to the corruption of power, most notably in Bruce Wayne’s “sonar experiment” that allows him to find anyone by using cell phone signals (a quick nudge-nudge at the Bush administration, I would imagine); and finally the power of terrorism and the panic that it brings, and how that can be exploited by someone strange enough to wield it.

I'm a fan of those too-few films showing "The Clean Win is a Lie.". The short version is this: Big stuff, important stuff, comes at a cost. There are people who are heroes, and they make sacrifices. Likewise, if there was a world with super heroes, they make would super-sacrifices.

Secondly, of course, there’s the acting.

Christian Bale. There’s something about the way he talks that I find interferes with my empathy for Bruce Wayne. And the image of him as a womanizer Bruce is not believable. I remain impressed by Michael Keaton’s portrayal above all others, even though I was — I’ll admit it — initially aghast at the casting choice.

The magnificent trio: Michael Caine, Gary Oldman, and Morgan Freeman are all so comfortable in their recurring roles, it is hard to think of them as acting. They are simply "become" those characters and support Christian Bale to the finish line. Although, there is a fine line between being a support to the hero and driving his agenda and I think Alfred kinda crossed that line in this movie.

I am so happy that Maggie Gyllenhall replaces Katie Holmes. She doesn’t have Bond-girl beauty but she portrays a strong woman MUCH better than Mrs. Cruise. In a movie where almost all of the stars are men, I think Maggie does a good job in standing on her ground.

Aaron Eckhart, D.A. and more, with a storied career of his own, has perhaps his defining moments within this film. Gripping and tragic.

And that brings us to the greatest and most tragic part of the movie.
Heath Ledger redefines the Joker, bringing the insane brutality to the big screen. He was fantastic. I was completely wrong to think that the talk of Oscars was simply 'saying nice things about the dead'. Like Michael Caine said, it was simply the best performance of a villain I’ve seen.

He oozes menace. He dangles perfectly on the edge of sanity and insanity, and for me captures the Joker's menace and deliberate choice of insanity and chaos pretty much perfectly. With all due respect to Jack Nicholson, this is the Joker, and Ledger's performance will either keep everyone away from ever touching the role, or elevate it as the role to beat, and provides a tragic exclamation point to the senselessness of Ledger's death.

The Joker's story of his 'scars' (his Chelsea smile) changes in the story: he gives two different versions of how his face got cut.

“Sometimes I remember it one way, sometimes another… If I’m going to have a past, I prefer it to be multiple choice!” The Joker (Batman: The Killing Joke)

Everyone else in the film — and I include Batman in that — is simply reduced to an extra, as Heath Ledger’s character powers through the entire film. What a fantastic performance.

So, by all means make your own decision about whether or not to take children to see it (The Joker is magnificent but also brutal and sadistic), but if you are an adult, go and see this film.

Got that? Go and see this film. You will be blown away by Ledger’s performance — and I fully agree he deserves a posthumous Oscar for this. Go on, what are you waiting for?

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Kungfu Panda! (just a quickie)
Wednesday, 25 June 2008 8:11 pm
Yay! I finally watched it!

I've been through many obstacles. I'm telling you, a girl do need to fight her way just to watch the big-fat panda shaking its belly. People had been talking about how the movie is very funny, and the noises that the Panda's making when things bounce on his belly, and so on... It'd been driving me crazy that all of my friends had watched it and I hadn't.

And today, I'm finally able to! Even better, with Auzan too!! Although he tends to get really annoying when I'm excited. But I said to my self, 'No. Not today. Nothing's gonna get me today. In about 30 minutes I'm gonna see what the talks is all about.'.

I must say, the waiting was really worth it. The movie is VERY ENTERTAINING! Very funny, I laughed out loud during some scenes. Plus, listening Angelina Jolie's (♥♥) voice as Tigress was so wonderful.

GRAPHICS ARE AMAZING. The 3D was so soft. The lighting was amazing. How it gave ambiance to the scenes- for example the lighting in Po's room when he wakes up was so clear and actually like diffused sunlight in the morning. Oh, and the scene where Po was sitting alone on the top of the cliff under the peach tree? Very liking it.

The humor never fell flat once. Like seriously, from the very outset, the movie starts tossing you hilarious quotes and scenes you'll be swapping with your friends all week.

There are a lot of lessons learned in this film and i'm quoting:
1. "Yesterday is history, Tomorrow is a mystery, and today? Today is a gift, that's why it's called present." - Oogway
2. Often the path one takes to avoid their destiny is the very one that leads them to it.
3. And my favorite of all the quotes: "There is no price for Awesomeness or Attractiveness" - Po

Good job Dreamworks, you're looking pretty cool.

---

Today, is June 25th!
Happy 11 months Anniversary to me and my boyfriend!
Only 1 month to go!

I forgot what date to day is. Auzan said he was waiting for me to realize but then decided to tell after the movie. I feel bad. I'm the worst girlfriend ever. I'm very lucky he's still keeping me. Thank you so much for the wonderful 11 months.

Don't ever let me go...please? Pretty please?

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Thoughts on House Season 4 Finale
Monday, 16 June 2008 8:07 pm
It's time for tears again.
So much drama and emotions this season and the finale is here to break your heart. Wilson's heart made me cry a lot. Life is unfair and House's cannot be God all the time. A very bittersweet episode where love and friendship are at stake.

I just want to say that the two-parter episode is one of, if not THE BEST season finale of a TV Drama that I have seen in awhile. Because of that, because I'm so enamored with it, I feel the need to write about it. And boy, do I write.

AND AGAIN CONTAINS MAJOR SPOILERS WITH PICTURES AND SPECIFIC DETAILS OF SOME SCENE!


House 4.16 - Wilson's Heart (Season Finale)

Other than plot, this episode also relied on the outstanding and remarkable performances from Hugh Laurie, Robert Sean Leonard, and Anne Dudek. Together in harmony, the three of them worked splendidly. The rest of the cast built some sort of strong fortress around to support the three of them, to make sure that everybody delivered the structure with perfect result. Oh, how they did.

Let me start with Anne Dudek.

I thought she did a superb job with her character, Amber. Hate her or not, she brought a different atmosphere to the world of Plainsboro Hospital. The last two episodes particularly, she won me over. The scene where Amber remembered what had happened to her, broke down and said that "she shouldn't have gotten on the bus", and realized that "she was already dead" due to the flu pills was mind-blowingly good. As well as the part where she told Wilson that it was time for her to go to sleep. Tears running like Niagara Falls from my eyes. I think that's a testament to Anne Dudek's acting skills.



Then, there was Robert Sean Leonard. Stepping into the spotlight after being a faithful supporting figure to Hugh Laurie's character for the past 4 years, RSL gave a heartwrenching performance as a man who was about to lose his dearly loved.




It started in his office when – confronted by Cuddy to do the right thing, to wake Amber up so he could say goodbye, so both could say goodbye, and spent those last precious moments on Earth – Wilson broke down and cried. Covering his eyes and face and then hugged Cuddy tight, for knowing that it was the exact thing, the ONLY thing, he needed to do right now. RSL didn’t falter, not even a bit, to let out all those emotions.

The way he tried to calm himself when telling Amber about what happened, and then the last hours he spent, lying by her side. His voice broke down when he begged Amber to stay awake just a little bit longer and demanded why she wasn’t angry. At him. At House. At the unfairness of the situation. Why is it okay with you? Why aren’t you angry? When Amber answered patiently, we could see that even if he didn’t want to, Wilson realized it was time to let her go.

So he resigned to it … kissed her and quickly turned the machine off (like he didn’t want her to suffer more). Watch RSL’s eyes and shaking hands as he watched his lover took that one last breath. Amazing. Even if you have a cold stone heart, I’m sure that in that one moment, there is a tiny crack as RSL delivered the whole scene astoundingly.




And of course, I kinda save the best thing for last. The man, the genius, the persistent wonder named Hugh Laurie. In this episode, I thought he just took himself to a next level of acting achievement. I simply worship the ground he is walking. Hugh Laurie stripped away all barriers, all non sense, all defenses, from House's character. His blue eyes speak a thousand more than words. His facial expression, his body gesture, every single thing Hugh Laurie did, were a divine example of someone who is in tune with the character he was playing.

There were 3 powerful scenes delivered by Hugh Laurie with such perfection, he gave me more than enough reason to become his worthy slave.

First, the scene where he asked Wilson, "You think I should risk my life to save Amber's?", and when Wilson nodded, he looked like he was punched in the solar plexus for tiny few seconds. A disappointment over this selfish request from Wilson. Few seconds later though, with a sigh, he agreed to do it. Just like that - an act of pure love, pure friendship, and altruistic cause for his beloved best friend.



We could still saw his bitter disappointment though, through his eyes as he watched Wilson helping him with the dangerous procedure. His eyes still asking, did you really want me to go through with this?. When Wilson just looked away, we saw the total resignation over the whole thing.



And of course, after House realized that he could not do anything in the end, that Amber's fate was already sealed - him in his mind saying sorry to Wilson - but when the camera closed up to House's face in the reality, we saw tears falling down his cheek. SUPERB.



Second, was when House sat with Amber in the restored glowing bus, hovering between life and death. When he told amber that he preferred to stay with her, in a place where it didn't hurt. Because he didn't to be in pain, to be miserable, and above all, he didn't want Wilson to hate him. His voice broke, the short intake breath, the precise pause in between sentences, and we can feel his naked feelings in those three sentences. Guilt, sorrow, pain ... of past regret and future fear, everything rolled into one, and Hugh Laurie did not even seem to be in difficulty to translate all those emotions. Just with the tone of his voice, the look on his face, it is BRILLIANT, he made me speechless.



Final scene was of course, when he noticed Wilson standing outside his room. It was a quick scene, I know, but in those few seconds, you could practically saw him trying to say he was sorry through his eyes. When Wilson refused to enter the room, just took a deep breath, turned around, and walked away wordlessly ... even without the camera panning to him, from a far we could see him getting still, like waiting for the worse thing to come. AMAZING.






I practically couldn't see this episode clearly, with all those tears running down my face, my nose, and me getting hard to breather. I'm so hooked. This episode changes everything. There is a chance, of course, that MAYBE Wilson did not 100% hate House at first. By coming to see House after he woke up from coma, Wilson showed that he still cared for his wreck of a friend. But grief and anger and frustration might keep him from walking into the room and said anything.

HOWEVER, as he returned to the empty apartment, and then found the note that Amber left for him, we could see from his expression that this COULD change into a full blown-up hatred. Why? Because I think, it all started with House doing his usual selfish thing. He got drunk and then simply Dial-A-Wilson to help him with all the mess. It is something that painfully too familiar and Wilson has tried so many times to help House clean the act, with no avail. And this time, this time that simple common act ends up with a very tragic ending.




So maybe when House told Amber in retrospect that Wilson was going to hate him - Amber's reply couldn't be closer to the truth. "Well, you kind of deserve it," she said.

That's it -- the episode ended with the big lingering question, "How's it gonna be?"



For once, I don't care if the old team was barely there. I don't care for the old ducklings or the new ones. I don't even feel bothered with the fact that Cameron had no dialog what-so-ever here. This episode is a dedication for House and Wilson's relationship as friends.


Phewwww, glad that I let those all out!

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House S4E01
Friday, 13 June 2008 7:41 pm
I recently found season 4 DVD of House in Movie Room that surprisingly contain 16 eps. Although it's been in my possession since almost 2 weeks ago, I just watched the 1st eps this evening.

CAUTION! THE POST BELOW MAY CONTAIN SPOILERS!

House 4.01 - Alone
On last season's episode House lost all of his team members (Chase fired, Foreman and Cameron quit) and bought a new guitar, a $12,000 1962 Flying V.

I MISS THE DUCKLINGS!!! I can't believe they're even NOT appearing in the opener *sigh*. But, I do love seeing the dynamic of House and Wilson's friendship again. The "kidnapping" of the guitar is hilarious...

Did Hugh Laurie gain some weight. I'm pretty sure there was some fat around his waist. Not that I hate chubby man. I think those weight make him looks younger. Despite the fat, he managed to developed well-built arms somehow. Oh, and we can see the new guitar since House decided to have private concerts in his office. Count on House to do something crazy. Refusing to set up job interview, he replace his team with Dr. Buffer from House Keeping Department, a.k.a the janitor. He was bouncing ideas off a janitor while his patient is dying.

The main patient storyline is rather sad. I can't believe that it is a wrong patient. House realizes that Megan isn’t Megan: it’s her similarly-looking co-worker Liz, and Megan died. Ben mistakenly identified the surviving Liz as his dead girlfriend Megan. I feel sorry for Ben. He didn't even have the chance to say goodbye to Megan. But Cuddy is right, Cameron would've believe that they have a good relationship, Foreman will do anything to prove House wrong, and Chase will do anything to prove he's right. Again, I miss the ducklings!!!

By the way, I still can hope for the House/Cameron thing, right? I mean , he even says "Gee, you remind me of someone", when talking to that female doctor (she even has some sort of resemblance to Cam!). Call me delusional, but I'd like to keep the little flame for my ship *g*

I'd like to see how House pick the team. When he says in the end about in 6 weeks, 29 people will be gone, why do I suddenly wish that it's going to be "American Idol" kind of elimination?

*lol*


Now it's time for the quotes! Hail to the sick bastard!
"You test drive a car before you buy it. You have sex before you get married, I can't hired a team based on a ten-minute interview. What if I don't like having sex with them?"
"In what twisted universe does mastering Eddie Van Helen's two handed arpeggio technique count as absolutely nothing?"

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The Simpsons Movie
Monday, 30 July 2007 10:23 pm

I assure you, no real spoilers AT ALL.

The Simpsons: America’s best known dysfunctional family.

The most important is the question: is the movie funny? The answer is a resounding YES.

I say it’s 5 out of 5, the movie is exactly what you would expect and what you would want from a simpsons movie. And I could tell that everyone in the audience thought so too. It was uproarious laughter from start to finish…from it’s opening theme played by Green Day to credits (you should stay and watch the credits). High praise, but it’s worth it. I hadn’t watched the sipsons in a long time, but used to pretty frequently. It was played on local channel. So seeing them again was kin of cool-nostalgic-weird, but still funny…in fact funnier because there are things in this movie that could not be shown on tv. (to name just one thing…be sure to keep your eyes on the screen while Bart are skateboarding).

I’m writing this fresh from the theater so the sensation is still vivid in my mind. All of the things that used to draw me to the show are in the movie and kicked up a notch. Homer drives the story and is classic, but on a larger scale because his incompetence not only impacts his family it also jeopardizes the existence of the entire city of Springfield. There is a moment that I was NOT expecting at all and had the audience nearly falling out of their chairs. The fact that such scandalous material was rare in the flick made it that much more enjoyable when it did happen. Primo, the person sitting beside me couldn’t stop laughing for about 2 minutes on a joke.

Amidst all that laughter, these crude, basic 2D figures find a moment or two to touch your heart. Some of the best parts of the whole film is a really sweet storyline between a father and a son. Say what you will about the crude humor (though not by today’s standards), but in the end they always stick together.

Overall it was a good time that truly did not disappoint…



See? No spoiler even a bit.

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